In Sydney, an elegant townhouse nestles in greenery

In Sydney, a peaceful town hall

The living room opens to the breakfast area. The four chairs inlaid with mother of pearl DS3 are signed Mackintosh for Cassina. The Art Deco marble and walnut dining table is by Osvaldo Borsani (Italy, 1940). The pair of crescent consoles in walnut is Spanish (18th century).e century). Louis XV style ebony mirrors (France, 19th century)e century).

Anson Smart

The courtyard is paved with a beautiful checkerboard of old terracotta tiles.  The wrought iron table and chairs are…

The courtyard is paved with a beautiful checkerboard of old terracotta tiles. The wrought iron table and chairs are Spanish (1930) and the plate Portuguese (Majolica Palissy Crab, 1940).

Anson Smart

When a longtime friend asked her to renovate his new home in Woollahra, a tree-lined and popular area of ​​Sydney, Tamsin Johnson didn’t hide her enthusiasm. For the young couple and their newborn, the Australian interior designer completely remodeled this 1920s cottage built in Spanish Colonial Revival style. “They wanted a real family home. Their forever home », she explains. The residence, surrounded by nature, was “originally very beautiful, but too dark”. Tamsin Johnson therefore began, primarily, by creating new arched openings on the inner courtyard. Brighter thus, the house gained a lot in volume. Also, to create an indoor-outdoor effect, the courtyard was brought to the level of the living space, paved with terracotta and cream marble and reimagined with a landscaper, “from here, the weather is nice 9 months a year”, she is happy In the heart of Sydney, the house offers itself as a total invitation to relaxation.

Luxury, tranquility and sensuality

In the open living room, all the seating and the table lamp are by Tamsin Johnson Interiors.  Blue vase...

In the open living room, all the seating, as well as the table lamp, is by Tamsin Johnson Interiors. Blue vase (France, 1950), a pair of brutalist silver vases (France, 1930).

Anson Smart

Inside, the architect worked to create a timeless, serene and relaxed atmosphere; and familiar in its comfort and friendly for entertaining (an important element in the couple’s life). She therefore preferred white materials “not too scary” on the walls, as well as light parquet – the original floor, sanded and lightened to provide the necessary freshness. “I wanted to give the impression of an old space softened by a modern and natural spirit. A comfortable family home, away from trends, timeless and quite classic. Neither too elegant nor too relaxed. » Hence the selection of furniture that is both bespoke, such as the contemporary stainless steel side tables designed by Tamsin Johnson’s studio, but also antique. In a desire for a balance between vintage and modern, the architect made his “europhilia” selecting French, Spanish and Italian antique pieces, and mixing contemporary Australian art with older European works. “I go every quarter to the south of France, where I hunt for pieces – in Montpellier and Béziers, in particular”she testifies.

Open living space, both cocoon and living

In the great room, Tamsin Johnson designed the travertine fireplace.  Wall lights.  Involute mirror.  A large mirror...

In the great room, Tamsin Johnson designed the travertine fireplace. Wall lamps (Italy, 1980). Involute mirror (Germany, 1980). Large Louis-Philippe gilded wooden mirror (France, 1880). Neo-Gothic wrought iron storage and ceramic vessels, France, 1930.

Anson Smart

An alcove opening connects the main lounge and the bar.  On the Spanish console two hand-carved vases in...

An alcove opening connects the main lounge and the bar. On the hand-carved Spanish console (Spain, 1800), two Murano glass vases (Italy, 1940 and 1950), Fontana Arte wall lights (Italy, 1950). Oil painting (Italy).

Anson Smart

On the ground floor, Tamsin Johnson designed a large, fully open living space. Living room, dining room, bar-library and kitchen communicate fluently. Also, the architect played with subtle arched openings to allow a visual connection while maintaining the function of each space. “We wanted casual, comfortable furniture, suitable for family life, giving the impression of a fairly formal grown-up living room”, she specifies. Such large sofas invite you to watch a movie with the family or read by the travertine fireplaces. The decoration mixes casual design and European references, such as the Venetian chandeliers in the living room or the Spanish tables, a deliberate reminder of the time when the house was built.

Sydney house design blue living room with mirrors on the walls

In the bar area, Tamsin Johnson made the sofa and ottomans, as well as the mirror wall. Plexiglas and glass side table (Italy, 1970), large Genis Cirera Casanovas glass fruit bowl and vase, Cherry (Spain, 1950). Amber glass wall lights (Italy, 1980).

Anson Smart

The bar in wood and Elba marble was custom designed by the architect.  Hand-carved oak stools and...

The bar in wood and Elba marble was custom designed by the architect. Hand-carved oak stools (France), Murano glass vases: amber (Italy, 1940) and dark. Textured spots (Italy, 1950). Murano glass wall lights (Italy, 1980). Christofle icebox.

Anson Smart

“This is my favorite piece”confides Tamsin Johnson, revealing a very nice bar-library. “This room was originally strange, dark, with walls covered with shelves of books. We transformed it into a multifunctional space. » This comfortable and bright place, designed as a haven of relaxation and reception, overlooks the inner courtyard. “We added mirrors to the wall to reflect the space and expand it, and added an arch in the bar to keep it integrated with the rest of the room”, continues the architect. The bar thus seems to blend subtly into the dining room and the living room, always in the warm open spirit of the house. “It’s a quiet lounge to have tea, read, but also entertain friends and drink a cocktail.” Let’s face it, it’s our favorite room too. Chic and balanced, it reveals exquisite bespoke furniture (glass chairs and tables), like a contemporary boudoir, enhanced with elegant antique pieces.

The breakfast nook also has a custom travertine fireplace.  On the wall, an abstract cubist painting beckons

The breakfast nook also has a custom travertine fireplace. On the wall, an abstract cubist painting signed “JG” from the 1930s as well as Murano glass lamps by Barovier & Toso (Italy, 1940). The sculptural chair is made of stainless steel. Ceramic lamps (France, 1980), Florentine glass and crystal chandelier (France, 1980).

Anson Smart

The open kitchen also reveals carved wood and Elba marble designed by Tamsin Johnson.  Carved oak stools...

The open kitchen also reveals carved wood and Elba marble, designed by Tamsin Johnson. Hand-carved oak stools (France), Christofle cookers (1950), French silver icebox.

Anson Smart

The kitchen, also initially too dark, was largely brightened by the addition of windows, reproduced on the existing openings of the 1930s, which particularly appealed to Tamsin Johnson on her arrival. “The kitchen was not huge, so I wanted to give it a fairly natural look and well integrated with the rest of the house”, she says. Off-white furniture, period twisted wooden handles reproduced by local craftsmen, soft marble with simple curves: here again we find the friendly and relaxed spirit, all the more important for this family that loves to cook and entertain. Open to the living room, the room adjoins a particularly Europhile breakfast area with old pieces, found in France and Italy.

The stately dining room also features a wall of mirrors by Tamsin Johnson Interiors.  The Spanish round table in...

The stately dining room also features a mirrored wall by Tamsin Johnson Interiors (as do the room’s textiles). 18th century Spanish round oak tablee century and the Italian walnut chairs highlight a Murano glass vase (1940), Murano Barovier & Toso lamps (Italy, 1940), a pair of brass lamps (Italy, 1950) and a Florentine chandelier in glass and crystal (Italy). , 1960).

Anson Smart

The old staircase leads to the sleeping quarters.  Oil painting Murano glass plate and wall lamp Rostrato Barovier amp...

The old staircase leads to the sleeping quarters. Oil painting (Italy, 1960), Murano glass plate and Rostrato Barovier & Toso wall lamp (Italy, 1970). The Art Deco wrought iron dresser is French (1970) and the crystal and brass umbrella is Italian (1950).

Anson Smart

In the same spirit as the bar, the dining room is visually enlarged thanks to the mirrors that cover the wall. It opens onto the inner courtyard, in a refined style, an ode to Italy of the 1940s, 1950s and 1960s with its furniture and decoration, especially a superb Murano vase from the 1940s placed on a round table ( Spanish) in 18th century oak.e century

Upstairs, an intimate and soft sleeping place

Quietly, the master bedroom features a Tamsin Johnson Interiors headboard, baroque mirrors…

Quietly, the master bedroom has a headboard by Tamsin Johnson Interiors, Dutch Baroque mirrors, a linen chair (18th century).e century). The French oak console is topped with a Cherry vase (Spain, 1950), a glass clock (Italy, 1950) and a French table lamp and its parchment lampshade.

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